And when I say “refined,” I mean “beat the living shit out of,” cuz these cats don’t mess around when it comes to inflicting damage. These dudes are one of the few bands that took the influence of a band like MCCLUSKY and further refined it. The London-based trio has been around for almost a decade now and their noise rock pummel still hits as hard as ever. The UK’s USA NAILS are the perfect complement to PSYCHIC GRAVEYARD. PSYCHIC GRAVEYARD’s side of this split is a surprisingly enjoyable trawl through a battered and beautiful landscape. If “Love My Skeleton Too” is what passes for romance in PSYCHIC GRAVEYARD’s world, then sign me up for the next speed-dating night. Singer Eric Paul lists the various permutations of this noxious blather with a withering tone. “Building You a Rainbow” is a suitably mellow-harshing recounting of whatever new age bullshit has crossed your path this week. Featuring some of the same key players, PSYCHIC GRAVEYARD delivers on the electro-punk promise of CHINESE STARS and pilots it straight into the eye of the hurricane. DOOMSDAY STUDENT was a good-enough rehash of ARAB ON RADAR, but to those who witnessed the first go-round, it wasn’t quite as much of an illicit thrill. They didn’t have the killer instinct of RADAR nor quite the methodical precision of SIX FINGER SATELLITE. Afterwards came CHINESE STARS, who I always found frustrating. And ARAB ON RADAR continued to deliver the goods up until they split. DEVO, US MAPLE, and BRAINIAC weren’t just getting thrown into the blender, they were swinging a lawnmower around, chopping up bodies Dead Alive -style. Maybe “scurried” is a better description. The entire crowd backtracked ten steps in two seconds flat. The first time I saw them-resplendent in their janitor uniforms-they hit “go” on the strobe light and the band jolted to life like Frankenstein’s monster. I’m not sure if people understand what a force ARAB ON RADAR was when they emerged before the turn of the millennium. By this point, BLATANT DISSENT had locked down its sound and it was only a matter of time until they would craft their aluminum guitars and solidify the sound of TAR. For obvious reasons, the 1986 sessions reveal a far tighter and more powerful band. “How Can I Lose?” and “Status Quo” are highlights, all nervous energy and killer hooks. “Eleven Days” shows how the band is able to give shape to the bleak, colorless days that dot the Midwestern calendar year. “Is There a Fear?” channels NAKED RAYGUN like they were born to it, while “My Hands Are Tied” opens with a PINK FLOYD-like acoustic bit before erupting into a tuneful swift kick that isn’t far removed from a late ’90s “melodic hardcore” band. Hell, “Undermine” is practically a straightedge anthem. Even the lyrical concerns, often addressing their fellow punks, echo these sentiments. What’s interesting is that a lot of the 1985 material isn’t that different from the sonic trademarks of Washington, DC’s concurrent Revolution Summer scene. The first side was recorded with famed engineer Iain Burgess, who recorded many classic T&G sides, while the ’86 side is the early work of one Steve Albini, who also remastered this material from the original tapes. This collection LP pulls together two different recording sessions that resulted in a couple 7”s and the Hold the Fat album, and includes unreleased versions of some tracks. But before TAR, most of the members learned their trade in the post-hardcore group BLATANT DISSENT. They even pulled a neat trick by having their final album, 1995’s Over and Out, be their finest work. But unlike, say, COWS or LAUGHING HYENAS, TAR was actually kind of a straight-ahead band, playing a sort of glum, deceptively hook-filled mid-tempo rock music. TAR was a kind of emblematic middle-of-America noise rock band-they constructed their guitars from aluminum and they put out records on labels like Touch and Go and Amphetamine Reptile. As a teenager growing up in the Midwest during the first half of the 1990s, it’s perhaps unsurprising that I enjoyed the rock band TAR.
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The programmer might choose to intensify the rituals by having the hypnotized or drugged subject “image” ancient archetypal symbols of mysticism and the occult, such as spiders, bats, snakes, masks, castles, mazes, demons, and monsters.Īlpha: General conditioning designed to improve memory retention, visual acuity, and physical strength. Conventional psychologists might use the term “conditioned stimulus response sequences,” but the Monarch experimenters called the process “Imperial conditioning.” Monarch also diverged greatly from traditional psychological conditioning exercises by including satanic rituals in order to enhance the trauma experienced by the subject. Patton states that Monarch was essentially about programming the mind, modifying human behavior, and placing its subjects into a “marionette syndrome.” A marionette is a puppet whose actions are determined by a puppeteer pulling its strings, hence the analogy concerning the psychologist and the programmed subject. One may also think of the common occult symbolism of the butterfly for the soul or the mind and an ancient belief that human souls become butterflies while they are between lives awaiting reincarnation. Researcher Ron Patton theorizes that the name Monarch had nothing to do with royalty, but referred to the Monarch butterfly and “the feeling of light-headedness,” as if one were “floating or fluttering like a butterfly,” after undergoing the trauma induced by electroshock. Some researchers are quite certain that Monarch evolved from such MK-ULTRA subprojects as Spellbinder, established to create “Manchurian Candidate” assassins, and Operation Often, which explored black magic and the occult. Army in the early 1960s, and it is still classified as top secret for reasons of national security. Project Monarch was officially begun by the U.S. From the information that has leaked out, it is easy to see why these mind-control experiments were considered top secret. Much of Project Monarch remains classified. It is a summary of a conspiracy theory, not a statement of fact. The following article is from Conspiracies and Secret Societies. Image source and original file: Fun Games For Freeīlock Craft 3D MOD (Unlimited Money) APK Free Aboutīlock Craft 3D: Building Simulator Games For Free (MOD, Unlimited Coins) – the game is made in pixel 3D graphics and will appeal to many users of android devices. After installing you can enjoy unlimited fun.Search for Block Craft 3D MOD (Unlimited Money) APK Free.First, download bluestack software and install it on pc. With a little few steps you can download it and enjoy it on pc. We also give you the option to download Block Craft 3D MOD (Unlimited Money) APK Free for pc. Download Block Craft 3D MOD (Unlimited Money) APK Free for PC You need to uninstall the previous version if you want to install the updated version. You don’t need a rooted device to install it. To download Block Craft 3D MOD (Unlimited Money) APK Free you need to have android version 4.1 or higher. Here you will get the Block Craft 3D MOD (Unlimited Money) APK Free download link with latest version and it is completely free. Searching the internet to download Block Craft 3D MOD (Unlimited Money) APK Free. We really appreciate you opinion.īlock Craft 3D MOD (Unlimited Money) APK Free Overviews
Created at the Massachusetts Institute of Technology in 1963 by a group of students led by Steve Russell, the game was so popular that it spread around the world to other computer centers in universities and government research centers (and inspired Nolan Bushnell’s aforementioned Computer Space). Perhaps the most famous of these mainframe computer games, however, is Spacewar!, a game in which players controlled two dueling spaceships in cosmic warfare. In The Strong’s collection are materials from the first educational game (about the ancient city of Sumer) and the first computer baseball simulation developed by John Burgeson in 1961. Users of the Magnavox Odyssey weren’t the first people to play a video game, however, for select members of society had access to large mainframe computers and, not surprisingly, some of them began to think about ways to use them to play games or run simulations. Magnavox Mini Theater and Odyssey demonstration filmĬartridge, about 1972. This device played a film strip of a commercial that showed a happy family spending time engaged in this new-fangled activity, video games. The concept was alien to many people, so Magnavox had to work extra hard to get people to reimagine what they could do with their televisions, as is demonstrated in the retail unit they created for their stores. What emerged was a game that transformed the television set into a gaming device. Baer had first conceived the idea of using a television to play a game in 1966 and he soon developed a series of prototypes to control spots on a screen. Magnavox released the Odyssey in 1972 (shortly before the release of the arcade version of Pong) after six years of work by Ralph Baer, its creator. Certainly it was the first home video game system-that fact is beyond dispute, though it was based on analog, not digital circuitry. It did lay the groundwork for Pong, however, and soon people all over America were dropping in quarters by the millions to bounce an electronic ball back and forth.Īnd yet Pong itself was not even the first electronic tennis game, for it was preceded by another product-the Magnavox Odyssey-that can stake multiple claims as the first video game. The cabinet for Computer Space was stylishly hip, but the gameplay was clumsy and it didn’t take off. A year earlier, he had partnered with the manufacturing firm Nutting Associates to release Computer Space, a game set in outer space in which two ships tried to destroy each other. Pong brought video games to the public consciousness in a widespread way for the first time, which is why many people think of it as the first “video game.” But it was not even the first arcade video game created by Atari founder Nolan Bushnell. Atari released the arcade game Pong in 1972 and this electronic table tennis game became an instant hit in bars, restaurants, laundromats, and other places around the United States (and eventually internationally) where people played coin-operated games like pinball or electromechanical driving games. If you asked someone on the street the question “What is the first video game?” their answer might well be Pong. Video games are no different, so the answer to the question “What is the first video game?” is, of course, complex and depends on what we mean by a video game and what we mean by “first.” As with almost anything having to do with the history of technology, progress tends to be evolutionary rather than revolutionary, the accretion of small innovations and gradual improvements over time that add up to startling changes. So, en passant capture is allowed in Chess only when a short-range piece exercises a one-time special power.įrom the perspective of gameplay, allowing en passant capture on a wider scale could overcomplicate the game and make it more difficult to play. In these cases, some kind of en passant capture is allowed in order to lessen the advantage that a pawn gets from making a double move and that a king gets from castling. In both cases, a piece that normally moves one space at a time is given the privilege of making an initial move that spans two spaces. To close off this possibility, en passant capture was introduced as an exception to the usual manner of capture by displacement.Īnother change made to speed up the game was to introduce castling, and one of the conditions on castling was that a king may not castle through check. This introduced the possibility of a pawn escaping capture by moving past the space another pawn could capture it on. In Europe, some people made changes that sped up the game, and one of these changes was allowing a pawn to move two spaces on its first move. So, these pieces never moved more than one space at a time. In these earlier games, pawns did not make double moves, and kings did not castle. This is when a piece captures another by moving to its space. Why are actual en passant captures limited to pawns?Ĭhess is descended from the earlier games Chaturanga and Shatranj, in which all capture was by displacement. But since it is illegal for a king to move into check, and Chess ends with the checkmate of the king, not with its capture, this potential en passant capture of the king never actually happens in Chess. Yes, a king may not move through check when castling, the idea being that when it moves two spaces toward the rook, it is subject to capture even on a space it is passing over. Does the concept of en passant capture have any other application in Chess? The only time when en passant capture ever happens in Chess is when one pawn captures another that has just made a double move, as illustrated above. Is any other kind of en passant capture allowed in Chess? If you want to capture by en passant, it must be done on the next move. Must en passant capture be done immediately, or can I wait some turns before doing it? White can now capture the g pawn by en passant, as it has done here. Rules of Chess: Check, Mate, and Stalemate. You will regret every dime and every moment you spend on this garbage software. Dont waste your time, and dont give this developer money. I have scoured all of my computer systems of this bloated trashware and deleted my registration information.ĭont make the same mistake I did. They are never going to upgrade this software to minimal usability or competence. Sometimes it doesnt, it just uses the old settings, and then barfs out random error messages. All you want do is to specify a URL, a username, and a password. * The network browser is overdesigned and overcomplicated. The sync is running perfectly, the volumes are both still available. * Sync jobs just fail, spontaneously, mid-sync. Dont bother emailing GoodSync customer support - they dont know and wont help you. This is GoodSyncs version of "An error occurred." Could be a million reasons. The process needs to be killed, and often the machine rebooted, to recover from the lockup. * Locks up while attempting to sync to a folder. It remains as much garbage as it was when I purchased it. Why do I keep going back to it? Because I paid for it, and I cling to the hope that they will eventually fix their software to the point where its *minimally* effective. * I delete GoodSync and resort to another solution. * I submit tickets through GoodSyncs help system, and I receive prompt-but-generic-and-totally-unhelpful feedback. * I encounter a bunch of intermittent errors. * I install the latest version of GoodSync, hoping that it has improved since my last attempt. Typically, my GoodSync experience goes like this: Please note folks: each GoodSync license allows installation on a single computer OR laptop.I have used GoodSync on and off for several years. Take advantage of this special offer from BitsDuJour and get GoodSync Today! Access your music, photos or video from any computer, anytime.
The customer's data for each model may be stored locally, in the cloud, or both locally depending on the service-level agreement (SLA). All customers have access to the same source code for the application, and as new features or functionalities are available, they are rolled out to all customers. In the software-on-demand SaaS model, customers have network-based access to a single copy of an application that the provider created specifically for SaaS distribution. The application service provider (ASP) and on-demand computing software delivery models are closely related to SaaS, in which the provider hosts the customer's software and delivers it to permitted end-users through the internet. Users merely pay a monthly charge to receive access to the software, which is a fully functional solution. SaaS applications are frequently accessed through web browsers.Īs a result, companies that use SaaS applications are not responsible for the software's setup and maintenance. Any device with a network connection will be able to access the application. An ISV may hire a cloud provider to host the application and related data in the provider's data center or a software provider may use its databases, networking, servers, and computing resources to host the application and related data. The cloud delivery model is used for SaaS. Rather than needing to implement modifications in multiple instances, engineers may make critical changes for all customers by maintaining a single, shared instance.įurthermore, multi-tenancy makes a larger pool of resources available to a broader group of users without jeopardizing critical cloud capabilities like security, performance, and privacy. Since SaaS applications are typically multi-tenant, the cloud service provider can manage maintenance, updates, and bug fixes more quickly, easily, and efficiently. Even though different subscribing customers will be running on the same cloud instance with the same architecture and platform, data from different customers will be kept separate. The application will be used by all clients, or tenants, in the same version and configuration. Multi-tenant SaaS applications and services are widespread, which means that each subscribing client or cloud tenant will be served by a single instance of the SaaS application running on the host servers. SaaS Architecture SaaS Architecture (Customized Multi-tenant) Unlike IaaS and PaaS, SaaS products are frequently supplied to both B2B and B2C customers. Netflix and other forms of personal entertainment, as well as powerful IT tools, are all available. SaaS applications are used by a wide range of IT professionals, commercial users, and personal users. SaaS is one of the three main types of cloud computing, along with IaaS and PaaS. With SaaS, your company can quickly get an application up and operating for a low upfront cost. The service provider is in control of the hardware and software, and with the appropriate service agreement, they will ensure the application's availability and security, as well as the protection of your data. The service provider's data center houses all of the underlying infrastructure, middleware, application software, and application data. You rent the use of an application for your company, and your employees access it via the internet, usually through a web browser. SaaS is a complete software solution that you can rent from a cloud service provider on a pay-as-you-go basis. Alternatively, the cloud provider may also be the software supplier in the case of major corporations like Microsoft. In this strategy, an independent software vendor may hire a third-party cloud provider to host the application. SaaS (Software-as-a-Service) is a software distribution model in which a cloud provider hosts applications and makes them available to end customers via the internet. While many end users can self-provision SaaS technologies, others require the help of a third party for integration, customization, and security. SaaS solutions are getting increasingly popular as businesses become more comfortable functioning in the cloud. Customers don't have to depend on their in-house IT expertise because the SaaS delivery model requires vendors to handle all technical difficulties. It's simple to use all you need is an internet connection and a browser to get started. In the cloud industry, software as a service (SaaS) is the most popular option for organizations. Mint.InitAndStartXamarinSession(Application.Context, "API_KEY") Protected override void OnCreate (Bundle bundle) To add Splunk MINT to your project, you need just one line of code with your API key: In the class that will use Splunk MINT, add the following using statement: Select the package,then click Add Package to add Splunk MINT to your projectĪdd Splunk MINT to your Xamarin Android project.From the Xamarin Studio menu, select Project > Add packages.Select the project that you want to target.To install the Splunk MINT Nuget package in Xamarin Studio: #Install the SDK plugin in Xamarin Studio # In the Select Projects window, select the checkboxes next to the projects in which you want to install the package, and then click OK. Several Splunk MINT may packages appear in the list.Ĭlick Install for the Splunk MINT Xamarin Android package to install. In the Manage NuGet Packages window, click Online from the list on the left, and then enter "" into the Search Online field in the upper-right corner. On the Tools menu, point to Library Package Manager, and then click Manage NuGet Packages for Solution. To install the Splunk MINT SDK by using the Package Manager window in Visual Studio: In the Package Manager Console at the PM> prompt, type the following: On the Tools menu, point to Library Package Manager, and then click Package Manager Console. Open the project you want to use with Splunk MINT. To install the Splunk MINT NuGet package by using the Package Manager Console, do the following: A Splunk MINT Management Console project for the Android platform type.Android SDK 1.6 (API Level 4) and later.Visual Studio 2012 or later, or Xamarin Studio.The requirements for the Splunk MINT SDK for Xamarin Android are: Requirements and installation for Xamarin Android If you would like to contribute to the SDK, go here for more information: For more information about Splunk MINT, see the Splunk MINT Overview.After you've set up your projects in MINT Management Console, you can use the Splunk MINT App in Splunk® Enterprise to see aggregated data for all of your mobile app projects over all time. Repeat this procedure for each of the platforms your app runs on. You'll start to see data appear in your dashboards in minutes. Go back to MINT Management Console and open your project. When you start using your app, it will begin to send data to the Splunk MINT Data Collector. Paste this line of code containing your project API key into your app to integrate MINT (for details, see the platform-specific sections in this guide). You'll get an API key for the project and a line of code to add for that particular platform-copy it to your clipboard. Log in to Splunk MINT Management Console and create a project for your app. How to monitor your mobile apps with Splunk MINTĭownload a Splunk MINT SDK or plugin for a platform that your app runs on, then import the SDK or plugin into your mobile app project. Mobile apps that use the Splunk MINT SDKs send data to the MINT Data Collector, which then sends the data to Splunk MINT Management Console. Display debug messages during testing before you deploy to production. For example, send LogCat output from Android devices or NSLog messages from iOS devices. Collect and view system debug messages depending on the platform. Track the experience of any given user by adding user identifiers to your code, then you can search for errors that affected a particular user and examine the corresponding crash data. You can also add breadcrumbs to your code to tag events or actions, which are also included in crash reports. Add custom data to your crash reports as key-value pairs. Add custom data and breadcrumbs to crash reports. Log handled exceptions that occur, along with any custom information you want to add. Add events to your code and report them to track virtually any user activity on your app. Track any process in your app from start to finish and identify slow transactions that negatively affect the user experience. In addition to sending crash reports, you can send additional data to Splunk MINT to monitor specific actions and items in your mobile apps. Details can be found in the LICENSE file. The Splunk MINT Software Development Kit for Xamarin Android is licensed under the Apache License 2.0. Splunk®, Splunk>®, Splunk MINT are trademarks of Splunk Inc., in the United States and other countries. Then, you can use Splunk MINT Management Console to monitor and gain insights into all of your mobile apps. Splunk MINT allows you to gain mobile intelligence about your mobile apps by using the Splunk MINT SDKs with your existing mobile app projects. Looking at Bass TAB is like looking down at your bass in your hands. This means if you see a part with six lines, it may be meant for guitar.Īs you can see in the diagram below, the four lines match up to the four bass strings from lowest pitch to highest pitch: The number of lines always matches the number of strings. Bass TAB written for 5-string bass will use five horizontal lines. The first thing you need to understand with Bass TAB is the basic layout.īass TAB has four horizontal lines to represent the four strings on bass. If you want to write your own music, a program such as Guitar Pro can be incredibly useful. A nice advantage of this software is the range of tools you can use such as: Guitar Pro 8 gives you everything you need to edit and create your own TAB as well as download and playback/edit TAB for other songs. The easiest way is with Guitar Pro 8 (link to my full review). There are a few different ways you can create your own TAB. Simply ignore the top staff and read the TAB as normal. It’s important to keep in mind that you don’t need to know how to read Standard Notation to use this format. This is the best of both worlds as it gives you two different ways of reading the same music. The top half is the song written in Standard Notation and the bottom half is written in Tablature. The basic idea here is that you get both the TAB version as well as the Standard Notation version at the same time.Īs you can see below, there are two staffs connected together: If you buy a TAB book, you will likely see this format. You can even write your own TAB in this format using software such as Guitar Pro (explained later). Most interactive TAB will include all instruments for a song, so you can play along to the TAB while listening to the drums, guitar, and any other instruments in the background. Websites like Songsterr use an interactive type of TAB that not only packs in far more information such as proper rhythm notation, but you can play along with the TAB.Īs you can see, the above TAB looks similar to the text-based Bass TAB from earlier, but is easier to read and uses different symbols. Simply changing the font will fix the format issues and line the notes up properly. If you see TAB like the below example, it means the wrong font was used. Notepad in Windows has quite a few other fonts that work well with TAB. The font Courier New is the most popular font for writing this type of TAB. If you want to write Bass TAB in this format, you need to use a specific type of font. To produce this effect, Luchini's team had to translate Dali's painting into an immersive dreamscape. “The lonely feeling, of you being in the middle of the desert and finding those gigantic towers” is the sensation the creators wanted to summon with Dreams of Dalí, which works with Oculus Rift and is part of the Disney and Dalí: Architects of the Imagination exhibit through June 12. “We want to be that ant, that’s staring at these towers,” says Sam Luchini, a creative director at GS&P. In Dreams of Dalí,* *you become a viewer and a visitor, a third inhabitant of the surreal dreamscape. Petersburg, Florida, chose this painting carefully: In the foreground of Dali's original painting is a tiny silhouette of a man and a child. Goodby Silverstein & Partners, the creative agency behind this virtual reality experience for an exhibit at The Dalí Museum in St. The two figures are the central subjects of Archaeological Reminiscence of Millet’s “Angelus,” which Salvador Dalí began painting around 1933 and are based on Jean-François Millet’s French realist painting, The Angelus, from 1859. When you first parachute into the virtual reality landscape of Dreams of Dalí, you find yourself in a vast desert, staring up at two impossibly tall statues-an amorphous man and woman, heads bowed in prayer. |
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